There can be few sights more evocative of the English countryside than a Bluebell wood in full flower. Late April and early May see large numbers of worshippers flock to key sites when entire acreages turn to azure, the colour all the more striking for the contrast that it makes with the apple-green of the newly emerging woodland foliage above.
The Bluebell is a perennial herbaceous plant whose new shoots, in common with many denizens of the woodland floor, emerge from their over-wintering bulbs at the tail end of winter, before the overhead canopy robs the floor of light. The species sets profuse seed and also multiplies rapidly at the bulb, with nemerous new bulbils being produced in a good year. The combined efforts of these two reproductive strategies can see the species dominate over extensive areas that provide the right conditions.
The nodding, bell-shaped flowers, unfurl from mid April to early June, depending on the seasonal temperatures and the location. Not surprisingly, given the widespread affection in which the plant is held, a variety of other common and local names abound besides the familiar one. These include Auld Man’s Bell, Calverkeys, Jacinth, Granfer Giggles, Wild Hyacinth and Wood Bells – all of which refer to the flowers. Although Bluebells are, of course, prominently blue in colour white flowered plants are quite frequent, and can form small stands in amongst the blue. Much rarer are the pink flowered forms, although these too do occasionally occur amongst wild populations.
Botanically speaking, the species has previously been given it’s own genus, as Endymion non-scriptum as well as being included within the closely related Scillas (Squills) as Scilla non-scripta. These days most botanists accept the scientific name Hyacinthoides non-scripta, which identifies the species as a close relative of the Hyacinths – Hyacinthoides literally meaning ‘Hyacinth-like’. As for the specific name, ‘non-scripta’ this translates as ‘unlettered’, which might appear rather odd as a plant name, but relates to the ancestor of cultivated hyacinths Hyacinthus orientalis. In Greek mythology the Hyacinth was believed to have ererged from the blood of the prince Hyacinthus as he lay dying. In response to this tragedy Apollo wrote ‘AI AI’, meaning ‘alas’, on the petals of the Hyacinth flower in order to express his grief. These wild Hyacinths, thus being the ‘lettered’ flowers, as opposed to the unlettered Bluebell flowers.
Aside from their visual appeal, Bluebells have been widely turned to various utilitarian purposes too. The sap is extremely rich in starch and was widely used as a glue for bookbinding – the toxins in the sap handily also discouraging nibbles from silverfish – as well as for attaching feathers to arrows. That same starch also provided the stiffening properties in Victorian ruffs and collars.
The Bluebell is also rich in folklore and associations, both good and ill. The plants undoubted toxicity may also be the origin of the belief that anyone who wanders into a ring of bluebells will soon fall under fairy enchantment and be lost or even die. The fairy connection is repeated in other myths too, all of which stem from a time when the countryside was considerably more densely forested, and potentially hazardous. In particular the bells of the Bluebell flowers were believed to ring to summon fairies to their gatherings, and any unfortunate human who heard the ringing would soon die. A counter belief was that when wearing a Bluebell wreath the wearer would be compelled to speak only the truth, whilst if anyone succeeded in turning one of the individual flowers inside out without tearing it, they would win the one whom they loved.
Bluebells are denizens of deciduous woodlands, and have also adapted to their changing and reduced habitats by taking up residence in hedgerows, meadows, cliffs and shady gardens. Their ideal environment, perhaps, is actually man-made – the coppiced woodland, where reasonable light levels reach the floor and regular management keeps the environment optimum for growth. These are the sort of conditions that allow the species to dominate, and vigorously out-compete all other flora that attempts to grow and blooms in the same season.
Although they do have a reputation for being hugely invasive in shady gardens (due largely to the lack of natural competition) Bluebells actually need a fairly specific environment to really thrive and are intolerant of trampling, heavy grazing, water logging & permanent deep shade. They are able to grow happily in sunlight, but can’t compete with carpet-forming grasses, so are rarely present in open sites. Where remnant Bluebell populations are found in hedgerows and pastures it’s a good indicator that that the land was once wooded.
Bluebells are native only to Europe, and whilst the species is still common in Britain and Ireland, it is rare or endangeres throughout the rest of the continent with about one third of the worlds wild population endemic to the UK. The species has greatly declined over the past 50 years and is considered to be globally threatened as a result of habitat loss and over-collection for use in gardens. Legislation introduced in an attempt to halt this decline means that it is now illegal to collect seed or bulbs from any wild populations.
A further and on-going threat to the Bluebell comes in the form of it’s close relative, the non-native Spanish Bluebell, Hyacinthiodes hispanica. This larger, more vigorous species has for many years been widely grown in British gardens, from where it has escaped to both out-compete and hybridize with our native species.
The English Bluebell has fragrant flowers held only on one side of the stem and always in a distinctive, nodding arrangement. The Spanish Bluebell, by contrast, has unscented flowers produced on on all sides of the stem and in a fully upright pose, much more like a wild Hyacinth, in fact. Hybrids between the two species are now widespread in the countryside due to pollination by bees and the discarding of the over-vigorous, unwanted bulbs in hedges and road verges. Both methods of introduction represent a serious threat to the long-term survival of our native species, and the very real possibility of the eradication of the one of our most cherished wild-flowers. What a tragedy that would be.


























































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